{"id":4568,"date":"2024-04-11T15:58:54","date_gmt":"2024-04-11T13:58:54","guid":{"rendered":"https:\/\/miguelbonal.com\/?p=4568"},"modified":"2024-04-23T18:28:07","modified_gmt":"2024-04-23T16:28:07","slug":"a-la-mode-francaise","status":"publish","type":"post","link":"https:\/\/miguelbonal.com\/en\/a-la-mode-francaise\/","title":{"rendered":"A la mode fran\u00e7aise"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"4568\" class=\"elementor elementor-4568\">\n\t\t\t\t<div class=\"elementor-element elementor-element-4558a3b e-flex e-con-boxed e-con e-parent\" data-id=\"4558a3b\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b7f35b7 elementor-widget elementor-widget-heading\" data-id=\"b7f35b7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A la mode fran\u00e7aise<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c26e871 e-con-full e-flex e-con e-parent\" data-id=\"c26e871\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e556ea0 elementor-widget elementor-widget-heading\" data-id=\"e556ea0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Miguel Bonal (viola da gamba), Hyunkun Cho (violonchelo barroco) y Baptiste Zeronian (clavic\u00e9mbalo)<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-22f6d8e e-flex e-con-boxed e-con e-parent\" data-id=\"22f6d8e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-5c755c0 e-con-full e-flex e-con e-child\" data-id=\"5c755c0\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-aff5445 elementor-widget elementor-widget-text-editor\" data-id=\"aff5445\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><b>Marin Marais (*1656; \u20201728)<\/b><\/p><p><i>Pi\u00e8ces de viole du troisi\u00e8me livre<\/i><\/p><p>Pr\u00e9lude, Fantasie, Rondeau, Plainte, La Brillante<\/p><p><b>Jean-Baptiste Barri\u00e8re (*1707; \u20201747)<\/b><\/p><p><i>Livre IV de sonates pour violoncelle et la basse continue<\/i><\/p><p>Sonata for two cellos<\/p><p>Andante, Adagio, Allegro Prestissimo<\/p><p><b>Fran\u00e7ois Couperin (*1668; \u20201733)<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p><p><i>Quatri\u00e8me Livre de pi\u00e8ces de clavec\u00edn, 23\u00e8me Ordre<\/i><\/p><p>Les Satires<\/p><p><b>Jean Barri\u00e8re (*1707; \u20201747)<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p><p><i>Troisi\u00e8me livre de sonates pour le Violoncelle avec la BasseContin\u00fce<\/i><\/p><p>Sonata a tre in D minor<\/p><p>Adagio, Allegro, Aria (Largo), Giga<\/p><p><b>Martin Berteau (*1691; \u20201771)<\/b><\/p><p><i>Sonate da Camera a violoncello solo col basso continuo<\/i><\/p><p>Trio in E minor<\/p><p>Allegreto, Siciliana, Grazioso<\/p><p><b>Joseph Bodin de Boismortier (*1689; \u20201755)<span class=\"Apple-converted-space\">\u00a0<\/span><\/b><\/p><p><i>6 Sonates, Op.50<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p><p>Sonata No.1 in E minor<\/p><p>Andante, Staccato, Allemande, Aria, Gavotte<\/p><p><b>Michel Corrette (*1707; \u20201795)<\/b><\/p><p><i>Les d\u00e9lices de la solitude, Op.20 Sonata no. 2 in D minor<\/i><\/p><p>Allegro, Aria 1 &amp; Aria 2, Allegro Staccato<\/p><p><b>Jean-Baptiste Barri\u00e8re<\/b><\/p><p><i>Livre IV de sonates pour violoncelle et la basse continue<\/i><\/p><p>Sonata No.4, Duet in G Major<\/p><p>Andante, Adagio, Allegro Prestissimo<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-348d5f6 e-con-full e-flex e-con e-child\" data-id=\"348d5f6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-8e37635 e-flex e-con-boxed e-con e-child\" data-id=\"8e37635\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8a267d0 elementor-widget__width-initial animated-slow elementor-widget-mobile__width-initial elementor-invisible elementor-widget elementor-widget-video\" data-id=\"8a267d0\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=GA6h1hXd7Ig&quot;,&quot;_animation&quot;:&quot;fadeInRight&quot;,&quot;_animation_delay&quot;:400,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-754b99d e-flex e-con-boxed e-con e-child\" data-id=\"754b99d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c128761 elementor-widget elementor-widget-text-editor\" data-id=\"c128761\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The music of the French Baroque is distinguished by its artistic sophistication, complexity, and refinement. During this period, French music experienced an unprecedented flourishing, driven by royal patronage and the vibrant cultural life of Louis XIV's court at Versailles. Compositions were characterized by meticulous attention to ornamentation, formal structure, and rhetorical eloquence.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>A la mode fran\u00e7aise Miguel Bonal (viola da gamba), Hyunkun Cho (violonchelo barroco) y Baptiste Zeronian (clavic\u00e9mbalo) Marin Marais (*1656; \u20201728) Pi\u00e8ces de viole du troisi\u00e8me livre Pr\u00e9lude, Fantasie, Rondeau, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4301,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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la mode fran\u00e7aise Miguel Bonal (viola da gamba), Hyunkun Cho (violonchelo barroco) y Baptiste Zeronian (clavic\u00e9mbalo) Marin Marais (*1656; \u20201728) Pi\u00e8ces de viole du troisi\u00e8me livre Pr\u00e9lude, Fantasie, Rondeau, 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