{"id":4426,"date":"2024-04-10T17:40:31","date_gmt":"2024-04-10T15:40:31","guid":{"rendered":"https:\/\/miguelbonal.com\/?p=4426"},"modified":"2024-04-23T18:31:12","modified_gmt":"2024-04-23T16:31:12","slug":"evocaciones-instrumentales-entre-espana-e-italia-ss-xvi-xviii","status":"publish","type":"post","link":"https:\/\/miguelbonal.com\/en\/evocaciones-instrumentales-entre-espana-e-italia-ss-xvi-xviii\/","title":{"rendered":"Instrumental Evocations"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"4426\" class=\"elementor elementor-4426\">\n\t\t\t\t<div class=\"elementor-element elementor-element-46c880e e-flex e-con-boxed e-con e-parent\" data-id=\"46c880e\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-4711c41 e-flex e-con-boxed e-con e-child\" data-id=\"4711c41\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e6e6f7a elementor-widget elementor-widget-heading\" data-id=\"e6e6f7a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Evocaciones Instrumentales, entre Espa\u00f1a e Italia (ss. XVI - XVIII)<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-43b5438 e-flex e-con-boxed e-con e-child\" data-id=\"43b5438\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-845fdaa elementor-widget elementor-widget-heading\" data-id=\"845fdaa\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h5 class=\"elementor-heading-title elementor-size-default\">Miguel Bonal (viola da gamba), Carlos Bonal (flautas de pico)<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e59b91b e-con-full e-flex e-con e-child\" data-id=\"e59b91b\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bb3af10 elementor-widget elementor-widget-text-editor\" data-id=\"bb3af10\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Podr\u00eda decirse que la m\u00fasica es sin\u00f3nimo de evocaci\u00f3n, de resurgimiento,de despertar un arte dormido en manuscritos y ediciones, que aguardan pacientemente al int\u00e9rprete.\u00a0Por esa raz\u00f3n, a trav\u00e9s del presente programa se traza un recorrido porrepertorios m\u00e1s semejantes que desiguales entre s\u00ed, de Espa\u00f1a e Italia, donde convergieron, en t\u00e9rminos musicales, tantas similitudes en lo que a la producci\u00f3n y contenido compositivos se refiere.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-40d62f8 e-flex e-con-boxed e-con e-child\" data-id=\"40d62f8\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-0730f91 e-con-full e-flex e-con e-child\" data-id=\"0730f91\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8c842db elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"8c842db\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Diego Ortiz (*1510c; \u20201570)<\/strong><\/p><p><i>Tratado de glosas sobre cl\u00e1usulas y otros g\u00e9neros de puntos en la m\u00fasica deviolones nuevamente puestos en luz [Roma, Luigi y Valerio Dorico, 1553]<\/i><\/p><p>Recercada primera sobre \u00abLa Spagna\u00bb<\/p><p>Recercada primera sobre \u00abtenores Italianos\u00bb<\/p><p>Recercada segunda sobre \u00abtenores Italianos\u00bb<\/p><p><strong>Fray Antonio Mart\u00edn y Coll ([?]; \u20201734c)<\/strong><\/p><p><i>Huerto ameno de varias flores de M\u00fasica recogidas de muchos organistas[Madrid, 1708]<\/i><\/p><p>Bayle del Gran Duque<\/p><p><strong>Antonio de Cabez\u00f3n (*1510; \u20201566)<\/strong><\/p><p><i>Obras de m\u00fasica para tecla, arpa y vihuela [Madrid, Francisco S\u00e1nchez, 1578]<\/i><\/p><p>Himno XXI. Ave Maris Stella XI<\/p><p><strong>Girolamo Frescobaldi (*1583; \u20201643)<\/strong><\/p><p><i>Toccate e partite d\u2019intavolatura di cimbalo [Roma, Nicol\u00f2 Borboni, 1615]<\/i><\/p><p>Toccata VII<\/p><p><strong>Andrea Falconiero (*1585; \u20201656)<\/strong><\/p><p><i>Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliardealemane, volte per violi-ni\u2026<\/i><\/p><p><i>[N\u00e1poles, P. Paolini &amp; G. Ricci, 1650]<\/i><\/p><p>La Suave Melod\u00eda y su Corrente<\/p><p><strong>Francesco Rognoni (*1570; \u20201626)<\/strong><\/p><p><i>Modo difficile per suonar alla bastarda (Gianneto Palestrina, \u00e1 5)<\/i><\/p><p>Vestiva i colli per la viola<\/p><p><strong>Francesco Mancini (*1672; \u20201737)<\/strong><\/p><p><i>[\u00abXII Solos for a flute with a thorough bass for the harpsichord or bass violin\u00bb.<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p><p><i>Londres, J. Walsh, n. d. (1724c)]<\/i><\/p><p>Sonata IV<\/p><p>Spiritoso<\/p><p>Largo<\/p><p>Allegro<\/p><p>Largo<\/p><p>Allegro spiccato<\/p><p><strong>Bartolom\u00e9 de Selma y Salaverde (*1595c; \u20201640c)<\/strong><\/p><p><i>Primo libro canzon, fantasie et correnti da suonar\u2026 [Venecia, Bartolomeo Magni,1638]<\/i><\/p><p>Canzon Terza<\/p><p><strong>P. Benedetto Bellinzani (*1682; \u20201757)<\/strong><\/p><p><i>Sonate a flauto solo con cembalo o violoncello\u2026 [Venecia, Antonio Bortoli, 1720]<\/i><\/p><p>Follia<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-f0a5c5a e-con-full e-flex e-con e-child\" data-id=\"f0a5c5a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-ab917e3 elementor-invisible elementor-widget elementor-widget-video\" data-id=\"ab917e3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=vtTcYaugB2Q&amp;list=PLkw0hFlzrCe2w1hOJVF17R5wvT5biG_O-&quot;,&quot;_animation&quot;:&quot;fadeInUp&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Evocaciones Instrumentales, entre Espa\u00f1a e Italia (ss. XVI &#8211; XVIII) Miguel Bonal (viola da gamba), Carlos Bonal (flautas de pico) Podr\u00eda decirse que la m\u00fasica es sin\u00f3nimo de evocaci\u00f3n, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4073,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Instrumentales, entre Espa\u00f1a e Italia (ss. XVI &#8211; XVIII) Miguel Bonal (viola da gamba), Carlos Bonal (flautas de pico) Podr\u00eda decirse que la m\u00fasica es sin\u00f3nimo de evocaci\u00f3n, de [&hellip;]","_links":{"self":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/posts\/4426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/comments?post=4426"}],"version-history":[{"count":59,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/posts\/4426\/revisions"}],"predecessor-version":[{"id":4977,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/posts\/4426\/revisions\/4977"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/media\/4073"}],"wp:attachment":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/media?parent=4426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/categories?post=4426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/tags?post=4426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}