{"id":4009,"date":"2024-04-08T11:49:45","date_gmt":"2024-04-08T09:49:45","guid":{"rendered":"https:\/\/miguelbonal.com\/?page_id=4009"},"modified":"2025-10-29T11:10:15","modified_gmt":"2025-10-29T10:10:15","slug":"programas","status":"publish","type":"page","link":"https:\/\/miguelbonal.com\/en\/programas\/","title":{"rendered":"PROGRAMMES"},"content":{"rendered":"
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PROGRAMMES<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Musical Treasures<\/a><\/h2><\/header><\/div><\/div>\n <\/div>\n <\/article>
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Nymphes and Satyres<\/a><\/h2><\/header><\/div><\/div>\n <\/div>\n <\/article>
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A la mode fran\u00e7aise<\/a><\/h2><\/header><\/div><\/div>\n <\/div>\n <\/article>
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Bach, Corelli and Marais<\/a><\/h2><\/header><\/div><\/div>\n <\/div>\n <\/article>
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Instrumental Evocations<\/a><\/h2><\/header><\/div><\/div>\n <\/div>\n <\/article>
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From silence<\/a><\/h2><\/header><\/div><\/div>\n <\/div>\n <\/article><\/div>\n
<\/div>\n <\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

PROGRAMAS Tesoros Musicales Ninfas y S\u00e1tiros A la mode fran\u00e7aise Bach, Corelli y Marais Evocaciones Instrumentales Del silencio a la emoci\u00f3n<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_uag_custom_page_level_css":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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Tesoros Musicales Ninfas y S\u00e1tiros A la mode fran\u00e7aise Bach, Corelli y Marais Evocaciones Instrumentales Del silencio a la emoci\u00f3n","ticketed":false,"_links":{"self":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/pages\/4009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/comments?post=4009"}],"version-history":[{"count":109,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/pages\/4009\/revisions"}],"predecessor-version":[{"id":7279,"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/pages\/4009\/revisions\/7279"}],"wp:attachment":[{"href":"https:\/\/miguelbonal.com\/en\/wp-json\/wp\/v2\/media?parent=4009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}